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Van Gogh Sunflowers
Sunflowers are the subject of two series of still life oil painting on canvas by the Dutch painter Vincent van Gogh. The earlier series were executed in Paris in 1887, depicts the sunflowers lying on the ground; the second set were executed in 1888 in Arles, shows bouquets of sunflowers of four, or twelve, or fourteen, or fifteen in a vase.
In Vincent's mind both sets of sunflower paintings were linked by the name of artist Paul Gauguin, who acquired two of the Paris versions instead of landscape paintings. About eight months later van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted Décoration for the Yellow House that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay.
In 1987,Japanese insurance magnate Yasuo Goto paid the equivalent of US $39,921,750 for van Gogh's Still Life: Vase with Fifteen Sunflowers at auction at Christie's London.
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Les Tournesols de Vincent van Gogh
Les Tournesols est le nom attribué à chacun des sept tableaux peints à Arles par Vincent van Gogh en août 1888 pour les quatre premiers tableaux qui composent la série proprement dite et en janvier 1889 pour les trois derniers, appelés les Répétitions.
Cette série de natures mortes se compose notamment de trois peintures semblables avec quinze tournesols dans un vase et deux peintures similaires avec douze tournesols dans un vase. C'est en août 1888, alors qu'il habitait à Arles (France) que Van Gogh a réalisé le premier vase avec douze tournesols, qui est aujourd'hui exposé à la Neue Pinakothek à Munich en Allemagne, ainsi que le premier vase avec quinze tournesols, qui est maintenant à la National Gallery de Londres en Angleterre.
En mars 1987, même les personnes n'ayant aucune affinité pour l'art ont appris l'existence de la série Les Tournesols lorsque le magnat japonais de l'assurance, a acheté l'un des tableaux pour l'équivalent de 40,8 millions d'euros lors d'une vente aux enchères chez Christie's à Londres.
Sonnenblumen von van Gogh
Das Gemälde Zwölf Sonnenblumen in einer Vase wurde im August 1888 von Vincent van Gogh in Arles (Südfrankreich) gemalt. Es ist Teil einer Serie von Bildern des gleichen Motivs: Fünf Sonnenblumen ..., Fünfzehn Sonnenblumen ..., Drei Sonnenblumen in einer Vase. Die Serie entstand in der Vorbereitung auf die Ankunft seiner Malerkollegen Paul Gauguin und Emile Bernard. Vincent hoffte, mit ihnen und weiteren Künstlern eine Malerkolonie in der Provence gründen zu können.
Der kühle Hintergrund dieses Bildes lässt die dadurch „leuchtend“ wirkenden Sonnenblumen an ihre Bedeutung erinnern. Ebenfalls durch die Perfektion der gelben Blüten, im Gegensatz zu der einfach und unscheinbar geschaffenen Umgebung, wirkt das Bild hell und freundlich.
Am 30. März 1987 ersteigerte Yasuo Gotō der japanischen Versicherungsgesellschaft Yasuda bei Christie’s in London eines der späteren Ölgemälde aus der Sonnenblumenserie zum damaligen Rekordpreis von 24,75 Millionen englische Pfund.
《向日葵》是荷兰画家梵高绘画的一系列静物油画。当中有3幅绘有15朵向日葵,另有两幅绘有12朵向日葵。画家1888年8月在法国南部阿尔勒绘画了第一幅15朵的《向日葵》(藏于英国伦敦英国国家美术馆)和第一幅12朵的《向日葵》(藏于德国慕尼黑新美术馆),其余的作品在翌年1月绘成。全部作品都画在93 × 72 公分(37" × 28")的帆布上。1887年他另外在巴黎绘画了一套四幅的向日葵静物画。画家在1888年夏末开始工作,并持续到第二年。其中一幅被他的朋友保罗·高更装饰其卧室。这个系列呈现了向日葵由盛放到凋谢各阶段的形象。在用色方面—某程度上应该归功于新近上市的颜料令新的色调变得可能—黄色系列的表现力得到突破。
1987年3月,安田火灾海上保险的董事长后藤康男在伦敦佳士得拍卖会上,以相当于39,921,750美元的价格标得اللوحات الفنية 《花瓶里的十五朵向日葵》。在交易过后其真伪曾一度引起争论——有人认为这是埃米尔·舒芬尼克尔(Émile Schuffenecker)的凡高向日葵临摹。
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Van Gogh Sunflowers Price

Since this is rare in the still life series for van Gogh, over time the price has extended into the millions. The van Gogh sunflowers price was roughly $40 million in 1987 when it was purchased from Christie’s London; but the oil reproduction in high quality is only starting from $49 at Van-Gogh-Sunflowers.org. This of course was a record amount for a work of art at the time, especially for a van Gogh painting. Reproductions of sunflowers has gained similar praise, but without the multi-million price tag. Current prices for reproductions are much more manageable, which is a good choice since there is more than one version of sunflowers in the complete series.

Van Gogh Sunflowers

In 1888, Vincent van Gogh painted four different sunflower paintings, and all of them would later go on to a lot of acclaim from multiple sources. The series was a departure away from what people were familiar with from van Gogh, and later on after his passing it served to put him in the high ranks of the greatest painters of all time as salvador dali and pablo picasso. Van Gogh sunflowers was not just a normal series from van Gogh, it would serve as his greatest work before he committed himself to the asylum. The initial versions of the van Gogh sunflowers painting were Three sunflowers in a vase, still life: vase with five sunflowers, Still life: vase with twelve sunflowers and still life: vase with fifteen sunflowers. Everyone has their favorites from that group of paintings, although they are all executed with the best style possible. The favorites of Paul Gaugin was quite clear, since he purchased at least two of the Paris originals as Monet Water Lilies and Creation of Adam. This of course inspired van Gogh, who would later create the repetitions of the same series in 1889. There was a small controversy surrounding sunflowers van Gogh, mostly for their authenticity. While a majority of experts say the work is genuine, there is still a rumor that has made its rounds about one of the paintings. It has been reported that some people thing one of the repetitions of Vincent van Gogh sunflowers is the actual work of Paul Gauguin or Émile Schuffenecker. With the fondness Gauguin had for the oil paintings for sale, this also feeds the narrative that he did some similar sunflower work. While he was also a great friend and supporter of van Gogh, the two would often have key philosophical differences.
Yauo Goto played a big role in pushing the van Gogh name to the top of history in 1987 by purchasing Still Life: Vase with Fifteen Sunflowers. The Japanese businessman paid a reported $39 million to acquire the painting from Christie’s London, where the high priced paid at the auction was heard around the world than Melting Clocks or Persistence Of Memory. This was the highest ever paid for sunflowers van Gogh, and it instantly made other collectors aware of the rarity of the series. The only other painting that even came close was Adoration of the Magi, which sold for only $12 million in 1985. Goto was very much ahead of the game, and less than a few months later another van Gogh painting broke records. Iris Van Gogh was purchased for $53.9 million by Alan Bond, an Australian businessman that frequented Sotheby’s. The sunflowers series is spread all over the world between private and public collectors, but one in particular was destroyed by fire, not so lucky as The Scream and Picasso Guernica. Still Life: Vase with Five Sunflowers was destroyed during the Second World War. It was the only van Gogh sunflowers painting to be unrecoverable from the damages.

Vincent Van Gogh Sunflowers

Throughout history, the entire series has been well traveled through multiple owners. Notable names on that list are Paul Gauguin, Ambroise Vollard, Félix Roux, Edgar Degas, Hoogendijk, Richard Bühler, Kröller-Müller, Émile Schuffenecker, Paul Cassirer, Hugo von Tschudi and Octave Mirbeau. It is an impressive list of collectors, fellow artists like henri matisse and marc chagall, businessmen and overall fans of van Gogh sunflowers. Long before van Gogh became a household name, he was famous with his peers in the art industry. There exists priceless copies of the van Gogh sunflowers painting, and they are the two that never left his estate. They are a study and repetition original, and hold much more personal value since they belong to the Vincent van Gogh Foundation. Set up in 1962 by his nephew Vincent Willem van Gogh, it was the perfect way to protect the van Gogh sunflowers painting same as The Birth of Venus or Manet Olympia. It is also on permanent loan to one of the biggest tourist attractions in Amsterdam, the Van Gogh Museum. Built in 1973, it features several of van Gogh’s unsold work, and more importantly, two of the Vincent van Gogh sunflowers paintings. If one of the sunflower paintings hadn’t got destroyed in the war, then it would most likely be displayed proudly among his other unsold paintings in the series.

Van Gogh Sunflowers Analysis

When doing a van Gogh sunflower analysis, it’s important to point out his state of mind in 1888 when the paintings were originally finished. The sunflower series was a completely different style from the self portraits and Starry Night Van Gogh. This was also before his friendship with Paul Gauguin deteriorated, and long before the incident that would lead to him cutting off his own ear. So the sunflower series was all about van Gogh being a regular painter, trying out new styles and broadening his technique. It’s safe to assume that during this time period is when he was at his happiest, which is why the still life paintings he completed in the series were so full of life as Mona Lisa and The Last Supper. With the sunflower series, van Gogh showed a ton of growth as a painter, using a steady hand and good color manipulation to bring his paintings to life. Other painters saw this bright eyed potential, and it was one of the reasons his friend Gauguin took one of the paintings to decorate his bedroom. Fellow painters saw the sunflower paintings as something special, with great use of the yellow spectrum, not like The Kiss Klimt and Girl With A Pearl Earring. There were even new colors based off of pigments that were underused at the time. So while the simplicity of sunflowers drew in a lot of people not familiar with van Gogh, it was the richness of the overall look that captured the attention of his fellow artists. The later works that followed after van Gogh was in the asylum don’t contain the same chemistry as the sunflower series, although they are great in their own right as Cafe Terrace at Night and Las Meninas. With these paintings van Gogh had all the light of a promising artist that was open to manipulating the canvas with his happy mood. When comparing this to his later works, it is like looking at two completely different painters.

Vase With Twelve Sunflowers

Located in Munich, Neue Pinakothek, vase with twelve sunflowers is one of the four paintings from van Gogh in the sunflower series. Created with the rest in 1888, it is a simple still life painting with the unique touch of van Gogh as andy warhol and jack vettriano. The wild and crude look of the flowers in the paintings are done very well, and it is their imperfection that makes the sunflowers really stand out. Vase with twelve sunflowers has been a favorite of many out of the series, and may be the most recognizable overall by the general public.

Van Gogh Sunflowers National Gallery

Still Life: Vase with Fifteen Sunflowers is the liveliest of the series, with a lot of reasons to appreciate its style as Toperfect reviews. Located at the National Gallery in London, it was also painted in 1888 like the rest of the sunflower series. Van Gogh sunflowers national gallery is one of the most visited artworks paintings in one of the most well-known art museums in the world where also hosts contemporary art for sale. This is believed by some to be the final addition to the series, and like all of the previous ones, the number indicated in the title doesn’t match up with the amount of sunflowers in the painting.

Van Gogh Sunflowers For Kids

Kids can get into art by studying sunflowers or Dogs Playing Poker, specifically the ones in the sunflower series. The shapes, patterns, textures colors and more are great beginnings for any aspiring painter. Van Gogh sunflowers for kids is a great first painting to start with for all ages, and a fun popular piece to study. Students as young as six years old, who don't like works by tamara de lempicka or edward hopper, will find a lot of useful lessons within the sunflowers series of paintings, and it will serve them well in execution of their first canvas art. It’s the simplicity of the painting that interests a lot of kids, as they feel less intimidated by the technique used.

Van Gogh Sunflowers Print

Just because the true nature of sunflowers is simplicity, that doesn’t mean that van Gogh sunflowers print is a better option than Rembrandt Night Watch and Primavera Botticelli. When looking for alternatives, a print version sometimes comes into view, but lacks a lot of the detail that gives a reproduction of the painting purpose. Lines also look jagged on a different media than canvas, which is due in strong part to how the original defined its curves and shapes when going from one angle to the next as toperfect.com reviews & complaints. When it comes down to it, van Gogh sunflowers print is not the optimal option for a copy of the painting.

Van Gogh Sunflowers For Kids

More Information about Van Gogh Sunflowers

The Paris Sunflowers
Little is known of Van Gogh's activities during the two years he lived with his brother, Theo, in Paris, 1886–1888. The fact that he had painted Sunflowers painting already is only revealed in the spring of 1889, when Gauguin claimed one of the Arles versions in exchange for studies he had left behind after leaving Arles for Paris as diego rivera and frida kahlo, roy lichtenstein. Van Gogh was upset and replied that Gauguin had absolutely no right to make this request: "I am definitely keeping my sunflowers in question. He has two of them already, let that hold him. And if he is not satisfied with the exchange he has made with me, he can take back his little Martinique canvas, and Van Gogh Self Portrait sent me from Brittany, at the same time giving me back both my painting portraits and the two sunflower canvases which he has taken to Paris. So if he ever broaches this subject again, I've told you just how matters stand."
The Arles Sunflowers
In a letter to Theo, dating from 21 or 22 August 1888, Vincent wrote: "I'm painting with the gusto of a Marseillais eating bouillabaisse, which won’t surprise you when it's a question of painting large sunflowers." At this time he had three paintings on the go, and intended to do more as mentioned in toperfect.com reviews; as he explained to his brother: "in the hope of living in a studio of our own with Gauguin, I'd like to do a decoration for the studio. Nothing but large sunflowers".
Leaving aside the first two versions, all Arlesian Sunflowers van Gogh are painted on size 30 canvases.
None meets the descriptions supplied by van Gogh himself in his announcement of the series in every detail. The first version differs in size, is painted on a size 20 canvas—not on a size 15 canvas as indicated—and all the others differ in the number of flowers depicted from van Gogh's announcement like that of norman rockwell and joan miro. The second was evidently enlarged and the initial composition altered by insertion of the two van Gogh sunflowers lying in the foreground, center and right. Neither the third nor the fourth shows the dozen or 14 flowers indicated by the artist, but more—fifteen or sixteen. These alterations are executed wet-in-wet and therefore considered genuine rework—even the more so as they are copied to the repetitions of January 1889; there is no longer a trace of later alterations, at least in this aspect.
Both repetitions of the 4th version are no longer in their original state. In the Amsterdam version a strip of wood was added at the top—probably by van Gogh himself, so was later to rene magritte. The Tokyo version, however, was enlarged on all sides with strips of canvas, which were added at a later time—presumably by the first owner, Émile Schuffenecker. The series is perhaps van Gogh's best known and most widely reproduced. In recent years there has been debate regarding the authenticity of one of the paintings, and it has been suggested that this version may have been the work of Émile Schuffenecker or of Paul Gauguin. Most experts, however, conclude that the work is genuine.
In January 1889, when Vincent had just finished the first repetitions of the Berceuse and the Sunflowers pendants, he told Theo: "I picture to myself these same canvases between those of the sunflowers, which would thus form torches or candelabra beside them, the same size, and so the whole would be composed of seven or nine canvases."
A definite hint for the arrangement of the triptych is supplied by Van Gogh's sketch in a letter of July 1889.
Later that year, Vincent selected both versions for his display at Les XX, 1890.
Vase With Twelve Sunflowers

Two Paris versions van Gogh exchanged with Gauguin in December 1887 or January 1888, were both sold to Ambroise Vollard: one in January 1895 and the other in April 1896. The first canvas resided for a short time with Félix Roux, but was reacquired by Vollard and sold to Degas from his estate to Rosenberg, not Impression Sunrise, then to Hahnloser and bequested to the Kunstmuseum Bern. The second Vincent Van Gogh Sunflowers was acquired by the Dutch collector Hoogendijk at the sale of his collection by Kann, who ceded the painting to Richard Bühler and then via Thannhauser to the Metropolitan Museum in New York. Two of van Gogh Sunflowers paintings never left the artist's estate: the study for one of the Paris versions and the repetition of fourth version, same famous as Liberty Leading the People. Both are in the possession of the Vincent van Gogh Foundation, established 1962 by Vincent Willem van Gogh, the artist's nephew, and on permanent loan to the Van Gogh Museum, Amsterdam.

Cette série de natures mortes se compose notamment de trois peintures semblables avec quinze tournesols dans un vase et deux peintures similaires avec douze tournesols dans un vase. C'est en août 1888, alors qu'il habitait à Arles (France) que Van Gogh a réalisé le premier vase avec douze tournesols, qui est aujourd'hui exposé à la Neue Pinakothek à Munich en Allemagne, ainsi que le premier vase avec quinze tournesols, qui est maintenant à la National Gallery de Londres en Angleterre.
Les peintures montrent des tournesols dans toutes les étapes de leur vie, de la pleine floraison jusqu'au flétrissement. Les tableaux étaient innovateurs pour l'époque par l'utilisation d'un large spectre de jaunes rendue possible par l'invention de nouveaux colorants.

Van Gogh Sunflowers Painting

Au départ, Van Gogh a peint les premiers Tournesols pour décorer la chambre à coucher de son ami Paul Gauguin. En 1891, l'écrivain Octave Mirbeau en achète un au père Tanguy pour 300 francs (900 euros).
Des têtes échevelées et barbues, un œil, une bouche, des cœurs dans un vase : les Tournesols de van Gogh interpellent le spectateur comme des représentations humaines. Le peintre a composé son bouquet avec des fleurs à tous les stades de leur évolution : en bouton, épanouies, fanées, en graines…

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